Editor of the Past

 

“To regret one’s own experiences is to arrest one’s own development. To deny one’s own experiences is to put a lie into the lips of one’s own life. It is no less than a denial of the soul.” ― Oscar Wilde, De Profundi.png

I’ve been going through old photos. You’ve probably noticed that by now. And old photos bring up a lot of fond memories but also a lot of slightly bitter memories. Time moves on and people fade in and out of your life. But the photos you took of them: what happens when a person who meant the world to you is now a stranger in your life?

Travis and I drifted apart after creative differences over the state of the anime club. Liz and I stopped talking after she started dating that one guy. Davilin and I are still friends on Facebook, aren’t we?

Old photos are so full of people I just don’t talk to anymore. So what do I do with photos that make me uncomfortable? Like the angsty edgelord I am, I delete them. I tend to remove the photos I don’t like. There’s a reason why there aren’t a lot of photos of my life between the ages of 12-16. Those years weren’t great, so why document them?

But it goes beyond just being an aggressive editor of images. I’m also a huge editor of who can see what. Why do you think it took so long to finally make a Youtube channel or why so many friends have failed to do a successful podcast with me? I’m a great podcast guest but I’m not great at running one with friends. I’m image conscious and pain averse.

This method does go perfectly fundamentally how I use Facebook, Twitter and most things digital: I use them as a simulacra of me. I’m part of the “yearbook” camp of Facebook use.  Facebook is meant to be the thing people see that can be pieced together to form one complete Amanda.

But in those photos, I do have a piece of me in each one. I had these people in my life. Their stories matter or at least they did as of the picture taken. And in those old photos are plenty of pictures I want to keep. Pictures of Mandy. Pictures of my mom: some of the last of her life. From my trip to Disney that I enjoyed more than my little cousin. From conventions. Of a thinner me. Of a me in power of an anime club. Of former lovers and former friends. There are traces of me in every single photograph and maybe, just maybe I shouldn’t delete them.

Or I should. No one will know. I don’t talk to these people anymore.

 

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