
I have been a goth for about 10 years now. And I don’t mean that in the pejorative way as an all-black clad edgelord even though everyone around me will agree that I am one of those. But I want to talk about being a goth, the evolution from emo to now a pastel goth and why I’m fine identifying as such despite being nearly too damn old for such a thing.
I have a comic book past: I lost my parents young, I was always just a little above average in intellect and maturity in comparison to my peers and I had quite the taste for things that were not too happy, too nice or too upbeat. But I had an aunt who was concerned about my image and the crowd I found myself in with being goth so I never outwardly looked very goth. Even during the height of my emo days in high school I was still a pink dot in a sea of boys in black trench coats and bullet belts if you can imagine such a thing.
It wasn’t so much that I resented my aunt’s mandate on my wardrobe but even when I began my job at the local Goth Barn I only went to so far with being a goth. I got to wear more black, I got to wear the t-shirts of bands I listened to and I got to accessorize but that was about it I never wanted to wear super skinny jeans or TRIPPs or anything. I may be a vampire but I am for sure vain and have always been.
It isn’t all black roses and My Chemical Romance shirts being goth. I absolutely understand all the criticisms a parent or society has with the term. Within the goth community there are very strained discussions of mental illness that glorify self-harm and not being medicated for serious mental health issues. It’s a community that is synonymous with melodrama and especially unearned melodrama. That was always difficult in high school listening to people go on about their problems that were not so problematic. That melodrama makes it difficult to want to be better or to change your situation. Wallowing in darkness is never a good way to cope with issues and the anti-authoritarian and especially anti-parent/guardian messages behind a lot of goth culture is risky; sometimes parents can be less than sympathetic and understanding but most of the time, it’s well-intending guardians just doing their best with complex emotions. But there’s an allure to rebelling against a machine. There’s absolutely an allure to the old photos of me in all black surrounded by a family of brightly colored outfits. There’s an allure to being a little overly dramatic. But I can understand that to parents, it’s likely a little distressing to see their usually bright child descend the stairs fully as a vampire going on about how life is pain and death is a sweet sweet embrace.
We’ll skip over the college and post-college years except for one footnote. The lace dress. Yes, the lace dress. So when I was in high school I was inviting to a homecoming dance once. Once. And I got a dress from Torrid (previously the plus-sized Hot Topic) and it was black and lace and short and wonderful. I wore that dress in my senior photos, to conventions for gothic lolita, to my college graduation party that my anime clubbers threw for me. That dress was just recently donated and I miss it but that’s about the extent of my prior gothic impulses. A notable appearance of The Dress was at a local Twilight prom that I was brought to against my will. My former best friend liked the books and wanted me to go with him as he platonic date. It was held a bookstore and truthfully we were both too old for this but it sounded like a good idea to him and he said it was an excuse to look better than everyone else so I got dressed and went with him. Immediately a gaggle of teens asked if he was the Edward to my Bella and I said that I would sell him to them for a dollar. The night ended with us at the local IHOP me still in my black lace dress and him a little angry that I was willing to sell him off so quickly.

My first office job forced me to dress decently and I did my best to stay with light colors because that is what’s socially acceptable. I had to be amiable and kind and outgoing even though my personality had always tended towards being a bit of a misanthrope and a vampire.
It wasn’t until the last few years and my cosplay resurgence that I found my love of black dresses.
I love black dresses. I own at least 5 of them. They’re modest and make me feel attractive in a way that I have not felt since I was a teenager. This coincides with my reemergence of loving the paranormal and my love of cameos. I’m primed and ready to be a casual witch.
Now my wardrobe is that of a pastel goth. Now, those things sounds like they don’t match but they absolutely can! I love pastel colors, thanks to all of this melanin, they really pop on my skin but I usually pair them with creepy-cute accessories like haunted castle rings or ouija board necklaces. Accessories really are the heart and soul of my wardrobe. It takes more than just a black dress and tights to be a goth. It’s also about the necklaces, rings and more. I also get to explore with makeup more now. I wear more highlight now so the light catches just right and I love bright red lipstick because it really pops on an almost all black and silver canvas. I’m a sucker for a bold lip and now if the occasion permits, a bold eye.
I also prefer the silhouette that being goth allows me. I can be modest or show skin as I wish. I can wear some bright colors and still tone them down with blackout tights or I can wear all over all black and just enjoy the aesthetic of looking like a Victorian vampire.
But there’s something about being labeled as “goth” that I actually really enjoy. If being goth means that I like ghost stories, vampires, cameos and lace: then I’m happy to be a goth. If being goth means that I am honest about my emotional health and refuse to put on a brave face all the time because happiness is normative, then I’m proud to be goth. If being goth means that I feel the most comfortable in my skin that I have in all of my years, then I am proud to be goth.